星空傳媒劇情簡(jiǎn)介
? ⅰⅱⅲ馬格達(dá)萊娜和瑪麗亞是兩個(gè)雙胞胎姐妹，她們?cè)诔錾鷷r(shí)分開(kāi) ，對(duì)另一個(gè)人的存在一無(wú)所知。瑪麗亞離開(kāi)了她長(zhǎng)大的寄宿學(xué)校 ，并在馬賽的咖啡館里找到了歌舞表演者的工作 。馬格達(dá)萊納與她的養(yǎng)父母住在一起 ，并在藝術(shù)畫廊工作。兩個(gè)姐妹被一種無(wú)形的聯(lián)系 ，它吸引他們朝著同一個(gè)悲慘conclusion.Director沃納·施羅特已經(jīng)獲得了名譽(yù)作為一個(gè)實(shí)驗(yàn)電影制片人 ，被一些譽(yù)為一個(gè)被低估的天才 ，別人為是自我放縱媚俗的小販唾罵加盟 。 Deux可以說(shuō)是施羅特迄今為止最雄心勃勃，最令人不安和令人厭惡的工作 。導(dǎo)演肯定浪費(fèi)時(shí)間疏遠(yuǎn)他的觀眾;從影片的前十分鐘開(kāi)始，很明顯這不是一件輕松的事 。敘事在看似無(wú)關(guān)的事件之間隨意切割 ，在現(xiàn)實(shí)主義和風(fēng)格化幻想夢(mèng)幻序列之間交替，定期震驚觀眾的同性戀性行為的圖形圖像和女人慢慢開(kāi)膛破肚 。讓幾個(gè)演員演奏多個(gè)部分只會(huì)增加技巧感和完全混亂 ，這很可惜
，因?yàn)轱@然有很多偉大的表演天才 - 尤其是Isabelle Huppert
。這部電影純粹無(wú)情的怪誕和自我放縱是如此極端 ，如此肆無(wú)忌憚，如此令人厭惡地挑釁 ，以至于很難認(rèn)真對(duì)待它 。Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.A young woman named Magdalena retrieves a postcard that had been cast into the wind by her biological mother (Bulle Ogier) from a seaside town in Portugal and discovers that she has a twin sister named Maria.
方逸華
鄧斐
陳占美
