51吃瓜劇情簡(jiǎn)介
? ⅰⅱⅲ在巴黎
，同樣的滑冰小組成員每天在The Dome會(huì)面 - 在埃菲爾鐵塔對(duì)面的現(xiàn)代藝術(shù)博物館后面 - 滑板 ，蠢蠢欲動(dòng) ，扔石頭 ，因?yàn)樗麄兒鲆暳怂囆g(shù)愛(ài)好者的聰明人群 。 它們是不可分割的 ，受到復(fù)雜的家庭關(guān)系的約束 。 無(wú)聊 ，輕松賺錢(qián)的誘惑和互聯(lián)網(wǎng)的匿名都有助于撕裂他們的世界。“自從我1995年帶著我的第一部電影兒童去戛納以來(lái) ，我想制作一部關(guān)于法國(guó)青年的電影
。我遇到了一些 法國(guó)青少年和我邀請(qǐng)他們參加兒童節(jié)目的首映式 。我最后和他們一起出去玩 ，在戛納拍攝他們
，并在法國(guó)學(xué)習(xí)青少年文化，甚至去了他們的家
，遇到了他們的父母并與他們共進(jìn)晚餐
。我知道 然后我可以在法國(guó)制作一部關(guān)于青年的電影
，我感興趣的是 。In Paris, the same crew of skate kids meet up every day at The Dome - behind the Museum of Modern Art, opposite the Eiffel Tower - to skateboard, goof off and get stoned as they ignore the smart crowd of art lovers. They are inseparable, bound by complicated family ties. Boredom, the lure of easy money and the anonymity of the Internet all have a role in tearing their world apart. "I've wanted to make a film about French youth since I went to Cannes with my first filmKids in 1995. I met some French teenagers and I invited them to the premiere of Kids. I ended up hanging out with them and photographing them while in Cannes and learned about teenage culture in France and even went to their homes and met their parents and had dinners with them. I knew then I could make a film in France about youth and that I was interested." [Larry Clark]A story centered around a group of self-destructive skateboarders in Paris.
乩童秩序
嘻樂(lè)門(mén)
咖啡因
