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? ⅰⅱⅲ這是Eloy de la Iglesia最好的電影之一，也是對(duì)馬德里八十年代的精彩看法，這是一個(gè)比無(wú)聊的現(xiàn)在更加有趣的麻煩和神話時(shí)代。去年去世的埃德拉伊格萊西亞是一個(gè)專(zhuān)注于 年輕罪犯的低生活和馬德里貧民窟的小偷以及階級(jí)沖突和社會(huì)問(wèn)題。 他的電影很強(qiáng)大，并且充滿了強(qiáng)大的影像，盡管有時(shí)可怕的表演（有時(shí)是真正的違法者扮演他們自己的角色）和低預(yù)算 。A close look at the life of some spanish teenage "delincuentes" at Madrid during the 80s. This is one of Eloy de la Iglesia's best films and a great look at Madrid's 80s, a troublesome and mythical era much funnier than the boring present.                                                                    Eloy de la Iglesia, who passed away last year, was a cult film maker that focused on the low life of young criminals and petty thieves of Madrid's slums as well as class conflicts and social issues. His movies are strong and full of powerful images despite the sometimes terrible acting (sometimes the real delinquents acted their own characters) and low budget.José Manuel Gómez Perales alias "El Jaro" lives with his band, also teenagers and their girlfriends. One day he meets Mercedes, a prostitute who want him away from the bad way. Then appears To?i, a drug addict from which he falls .