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? ⅰⅱⅲ一個(gè)女人在走鋼絲在理智與瘋狂的世界里,會(huì)不斷在這個(gè)給人深刻印象的《暮光之城》的制片人Maartje Seyferth實(shí)驗(yàn)戲劇從Nieuwenhuijs和維克多。內(nèi)莉Benner扮演一個(gè)年輕女子在一家加油站工作和生活的生命情感隔離。似乎沒(méi)有人注意到她,和她住在一個(gè)破舊公寓,看起來(lái)好像是在我們眼前的腐爛。隨著婦女與惡魔的搏斗,抓住她腦海中,她經(jīng)常面對(duì)鏡子中的自己,通常,裸體的。一個(gè)年長(zhǎng)的男人(扮演提多Muizelaar)看過(guò)女人通過(guò)她的windows變得著迷于她,但他試圖將自己變成她的世界有奇怪的和意想不到的后果,尤其是當(dāng)一個(gè)槍進(jìn)入的畫(huà)面 。拍攝幾乎完全沒(méi)有對(duì)話In this impressionistic experimental drama, a woman walks a fine line between sanity and madness in a world of constant twilight. Nellie Benner plays a young woman who works at a filling station and lives a life of emotional isolation. No one seems to pay attention to her, and she lives in a run-down flat that looks as if it's decaying before our eyes. As the woman wrestles with the demons that are taking hold within her mind, she frequently confronts herself in the mirror, often while naked. An older man (Titus Muizelaar) who has seen the woman through her windows becomes fascinated with her, but his attempts to integrate himself into her world have strange and unexpected consequences, especially when a gun enters the picture. Shot almost entirely without dialogue.